![]() ![]() So the dominant is F# major, spelled F# A# C#.īeside that fact that any diatonic chord is potential a potential pivot, the simplest way to choose the pivot is to use a chord that will be a good pre-dominant to the new F# major dominant. In this case it means using A# in B minor. (The natural minor won't work.) Without going into detail about how to handle minor key harmony, you must make sure the new dominant uses the raised ^7 degree of the minor scale. That isn't the only way, but it will do what is needed. ![]() Is it generally the harmonic minor which is used? When dealing with relative major/minor keys like D major and B minor the key signatures are the same therefore all the basic diatonic chords are the same between the two keys.įrom that perspective all the diatonic chords are potential pivot chords.Īll you really need is the sequence of chords: pivot > new dominant > new tonic. A pivot chord has to be common between the original key & the key you want to modulate into. ![]()
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